4/23/2021 0 Comments Slate Fg-Grey Sidechain Manual
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Overall, I couldnt find a situation that KH-COMP1 wasnt well-suited for. Slate Fg-Grey Sidechain Code HST10 OperatingOffer price: 139 125 with code HST10 Operating System: WindowsOSX. Slate Fg-Grey Sidechain Plus Some NiftyIt has all of the controls you would expect to find in a standard compressor, plus some nifty additional features that make this compressor incredibly surgical in nature and useful for any application. I earn a small commission at no cost to you, which helps support this site and keep the reviews coming. Thanks. Taking this expertise in a whole new direction, Black Rooster has partnered with renowned multi-platinum mixing engineer Koen Heldens (XXXTentacion, Dr. Dre, Missy Elliot) to create a plugin for a piece of gear that doesnt exist, the KH-COMP1 compressor. Today were going to take an in-depth look at this new beast of a compressor as Black Rooster is calling it, run it through its paces, and decide whether Black Roosters new partnership has birthed a plugin that is a good fit for your home studio. The bluish-grey paint job is complemented by nickel-colored knobs, yellow backlit VU meter and yellow jewel lights. ![]() In the bottom right is a small menu icon with GUI options like knob behavior controls and interface size. It has all of the controls you would expect to find in a standard compressor, plus some nifty additional features that make this compressor incredibly surgical in nature and useful for any application where you would normally employ a compressor. Lets check out all the controls individually. Slate Fg-Grey Sidechain How To Use AIf youre not familiar with all of the common controls of a compressor or how sidechaining works, you can check out my articles on How To Use a Compressor Plugin and How To Use Sidechain Compression for more details.). The Filter controls allow KH-COMP1 to be used as a standard compressor or as a laser-focused compression tool for individual frequency ranges. By setting the Low Edge, High Edge, and individual Q controls, you can dial in any frequency in the middle, or you can hit F.Inv (frequency inversion) to leave out the mids and compress just the frequencies above and below. The detection modes are the standard RMS and Peak options, plus Vintage and Hilbert. Hilbert detection shifts the signals phase 90 degrees for more accurate compression without distortion, and Vintage adds pleasing harmonics. As an added bonus, KH-COMP1 can be sidechained to help carve out space in your mix for vocals and melody instruments. The Listen control was easily my favorite feature, allowing me to dial in the exact frequency ranges that I wanted to compress. In the acoustic guitar sample below, I used the Listen control to find the presence peak in the budget mic used at the neck position and take some of the harshness out while still adding a pleasing compression and warmth to the mids and highs. The DryWet control is a blend knob for mixing compressed and dry signals to set the right amount of transparency. The GUI settings include overall plugin window size, knob behavior (circular, linear, relative, or host DAW default), and knob sensitivity. Holding shift while dragging any of the controls enables a fine-tuning mode, which I found extremely helpful when setting the makeup gain and filter controls. The Mono Stereo link knob adds to the versatility of KH-COMP1, making it good for both buss glue and mastering applications as well as for use on individual tracks. The Listen control takes all the guesswork out of setting the right frequencies to compress, increasing workflow speed and accuracy, and actually hearing how a sidechain signal sounds to a compressor was a trip. ![]() This allowed me to use one instance of KH-COMP1 to compress the input signal, and a second instance for sidechaining on each channel.
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